Brad Scott

My favourite blogs

Which blogs are the most useful and inspiring sources for digital publishing? Some of the publishing students at University of the Arts asked me what I read recently, so I trawled through and was quite surprised to see which blogs I’ve been bookmarking most; some of them are not necessarily the obvious candidates. Still, this is what has been getting most of my attention:

  1. Tools of Change for Publishing: The great O’Reilly blog.
  2. ReadWriteWeb: useful, if slightly overwhelming, analysis of products and trends.
  3. The discovery blog: The blog of my old company, Semantico, always contains really useful and practical posts. Recent posts have been on online identity, accessibility and QA.
  4. eConsultancy blog: digital marketing in the broadest sense, and they publish some very good reports.
  5. Copyblogger: because writing for the web is so important.
  6. if:book: Institute for the Future of the Book.
  7. A List Apart: “explores the design, development, and meaning of web content, with a special focus on web standards and best practices.”
  8. InfoDesign: Understanding by Design: News items relating to information design, user experience etc.
  9. Museum 2.0: Not obviously relevant, but I love the parallels and connections between publishing and the museum world and Nina Simon’s blog always makes me think about other ways of doing things.
  10. History Compass Theory & Methods Blog: Again, it might not be a “digital publishing” blog, but the different perspective is refreshing, and it is one of my connections with digital humanities and history which I’ve enjoyed for years.
Brad Scott

The Evolution of the Digital Arden Shakespeare

The Arden Shakespeare has had several digital incarnations since 1996, when I was heavily involved with the creation of the first, the Arden Shakespeare CD-ROM. Each has been innovative in its own way, often engaging with interesting challenges in the context of rapidly changing technology.

Yesterday John Lavagnino (KCL) and I took part in the London Shakespeare Seminar at the School of Advanced Studies at the University of London, talking about digital Shakespeares. Both of us took the opportunity to look back at what has happened over the last couple of decades to better understand the challenges and constraints in developing digital Shakespeare resources. I’m writing up the talk in a more extended form, so hope to make that available at some point in the future, but for the moment here are the slides, though Slideshare seems to have done something with the formatting of the timelines.

Brad Scott

What have I been doing?

New projects, data and taxonomies. No wonder my blogging has been minimal. I thought I’d have a week or two to catch my breath, but it looks like another busy period is about to start.

I’ve been lucky to have an interesting few months with some lovely clients and projects. First off was a London-based corporation who needed some consultancy advice on a taxonomy and metadata strategy. They have a huge amount of data from lots of different sources, and a pressing need to integrate it together for users to be able to draw greater benefit from it, whether through a conventional classification, using an existing thesaurus or even developing the folksonomies they already have. I gave them a roadmap for the next stages, and a pragmatic sense of where they could end up.

Then it was back to the more familiar academic publishing environment for some project planning. The new project needed to be started urgently, so I’ve spent the last couple of months working with the extremely bright publishing team to pull together the outline requirements for an exciting new service to be launched next year. Despite a subject area with which I was relatively unfamiliar, it proved to be a fascinating resource, with an extremely innovative back-end system for linking data. Nice to know I can still throw in a few quirky insights that add something challenging to a project…

And finally, there’s the data. I’ve always enjoyed the data side of digital publishing, ever since I managed the editorial and the technical ends of projects at Routledge in the 90s when it was clear that to manage data well it really helped to have a detailed understanding of what it does, and of the fine attention to picky detail that proofing and copy-editing gives you. Consequently, I’ve done lots of modelling and converting publishers’ data over the years, so it was a pleasure to have to convert some very lightly-HTML-tagged encyclopedia data to rather more robust TEI markup using XSLT. The highlights this time have been the rather extensive use of the for-each-group and inordinate complex regexes in analyze-string to add structure to the bibliographies so that OpenURL linking might work. Needless to say, Michael Kay’s book is always by my side.

Brad Scott

What is digital publishing?

Ancient manuscript

I’ve been asked to talk to the MA Publishing students at the University of the Arts in London again. In the past I’ve focussed more on the mechanics of digital publishing, outlining what the process of putting content online looks like and that has gone down very well. This time, though, I’m thinking that it might be interesting to address other angles as well.

One way of coming at it could be by looking at what issues are we trying to solve by making it available digitally in the first place. Of course it’s about protecting revenue streams, and of finding new ones, but there’s also the opportunities to enhance the offering, through linked data, other media, better pedagogical support, and by working with the community of users. Each of these force us to look back at the objectives of the publishing project, perhaps modify them, and assess whether we can get the technology to deliver.

I’m also mindful of the changes in the way that the spaces we work in are being re-described. Not only does “publishing” as an activity now seem to cover a much broader range of people and content than was the case, say thirty years ago, but I know I’ve described myself as an “information professional” on occasion, and we attend trade shows which focus on “Online Information” and “Knowledge Management”. While these labels have their purpose, they’re not synonymous with “publishing”; not all publishing is informational and fact-based. There’s the whole evaluative and narrative side to content as well, and that doesn’t respond to the same kind of digital treatment as patents, dictionaries and pharmaceutical data.

Furthermore, in thinking about the transition from print to online, though the benefits can be considerable, what are we in danger of losing? Is it important? If we wind the clock back a bit further, in previous transitions, be it from manuscript to print, or indeed from oral culture to the written, what was lost then? And, if they might be important, could those features too be reinstated in some form in a digital universe?

I’d love to hear your thoughts, and if you know of some useful materials that I could read around this whole area, please let me know or add a comment.

Brad Scott

Critical skill gap in digital publishing industry

I’m not at all surprised by the news item in today’s Bookseller1 that the move to digital technologies has revealed a major skill gap in the publishing industry. It feels like that has been the case for a long time. Over the past few years, I’ve often commented on the limited extent of the expertise in digital technologies in some major publishing houses, who tend to outsource almost everything.

Outsourcing is no bad thing; it’s what publishers do, and it works well. But, in the digital domain, if done to excess it can feel as though the publisher abdicates responsibility for their digital business, placing in the hands of a third party technology company, thereby letting the technology drive the business, rather than the other way round.

I’m certainly a beneficiary of that outsourcing, and my current clutch of clients tend to be among those publishers who have a good range of skills for electronic publishing, but even they would admit that there are always holes and gaps in understanding and practice that get pushed to one side amid the daily routine of getting new products to market.

I can understand some of the gaps. After all, why would many publishers want to get too heavily involved with XML schemas, but at least some basic XML knowledge should be mandatory these days, if only for fixing typos.

So, I’d be interested to know where you see the gaps, either in your own skill-set, of your business, or of some of your competitors?

  1. Neilan, Catherine. “Digital skills gap now ‘critical’ for publishers.” 14 August 2009. The Bookseller. http://www.thebookseller.com/news/94322-digital-skills-gap-now-critical-for-publishers.html.rss. The Skillset report was also the basis of a piece in the Guardian, though its headline seems to have somewhat misrepresented the substance of the findings: Holmwood, Leigh. “Literacy level of recruits now a major concern for media, report finds.” 13 August 2009. The Guardian. http://www.guardian.co.uk/media/2009/aug/13/literacy-concerns-media-recruits-skillset-report

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